Review

Revue

Leviticus twenty-three identifies three tests within the Pentecostal season of the one hundred and forty-four thousand. Aligning the first day of the feast of Tabernacles with the day of Pentecost, and then aligning the forty days that Christ taught the disciples face to face before His ascension with the day of first fruits creates an overall structure that represents the three angel’s messages.

Imiliticus dua puluh tiga mengidentifikasi tiga ujian dalam musim Pentakosta dari seratus empat puluh empat ribu. Menyelaraskan hari pertama Hari Raya Pondok Daun dengan hari Pentakosta, lalu menyelaraskan empat puluh hari ketika Kristus mengajar para murid berhadapan muka sebelum kenaikan-Nya dengan hari buah sulung, membentuk suatu struktur menyeluruh yang melambangkan pekabaran tiga malaikat.

When the “death, burial and resurrection” is applied as a single prophetic waymark that has three steps; as it is represented by Christ’s baptism, we find that five days after the resurrection on the day of first fruits, the end of the seven day feast of unleavened bread arrives as a holy convocation. Thus, at Christ’s resurrection, which aligns with the first fruit offering, there follows a five-day period.

“Ölüm, gömülme ve diriliş” Mesih’in vaftiziyle temsil edildiği üzere, üç aşamalı tek bir peygamberlik yol işareti olarak uygulandığında, dirilişten beş gün sonra, ilk ürünler gününde, mayasız ekmeklerin yedi günlük bayramının sonunun kutsal bir toplanma olarak geldiğini görürüz. Böylece, ilk ürün sunusuyla uyumlu olan Mesih’in dirilişini, beş günlük bir dönem izler.

At the end of the structure which is created by aligning the first day of the feast of Tabernacles with the day of Pentecost, there is another waymark with three steps, also followed by five days that reaches unto Pentecost.

Au bout de la structure qui est créée en alignant le premier jour de la fête des Tabernacles sur le jour de la Pentecôte, il y a un autre repère composé de trois étapes, suivi lui aussi de cinq jours, qui mène jusqu’à la Pentecôte.

Between those two ‘three-step waymarks followed by five days,’ is a period of thirty days. When we align the first day of the feast of Tabernacles with the day of Pentecost, we understand that five days before the feast of Tabernacles was the Day of Atonement. Ten days before the day of Atonement was the feast of Trumpets. The forty days of Christ teaching face to face after His resurrection on the day of first fruits, aligns five days after the feast of Trumpets, and five days before the day of atonement.

Pakati pa ‘zizindikiro ziwiri za njira ya masitepe atatu zotsatiridwa ndi masiku asanu,’ pali nthawi ya masiku makumi atatu. Tikagwirizanitsa tsiku loyamba la phwando la Misasa ndi tsiku la Pentekoste, timazindikira kuti masiku asanu chisanafike phwando la Misasa linali Tsiku la Chitetezero. Masiku khumi chisanafike Tsiku la Chitetezero linali phwando la Malipenga. Masiku makumi anayi a Khristu akuphunzitsa maso ndi maso pambuyo pa kuuka Kwake pa tsiku la zipatso zoyamba, amagwirizana ndi masiku asanu pambuyo pa phwando la Malipenga, ndi masiku asanu chisanafike tsiku la chitetezero.

The three-step waymark of His ‘death, burial and resurrection,’ followed by five days unto the end of the feast of unleavened bread is then repeated thirty days later when the three-step waymark of ‘trumpets, ascension, and judgment,’ that are then followed by five days unto Pentecost. The beginning three-step waymark is easily defined as one waymark with three steps, for it is directly identified as such with Christ’s baptism, that symbolizes His ‘death, burial and resurrection.’ The baptism was the alpha to the sacred 1,260-day period that culminated at His ‘death, burial and resurrection’ which was the omega to the 1,260 days.

त्रि-चरणीय पथचिह्न—उसकी “मृत्यु, गाड़े जाने, और पुनरुत्थान” का—जिसके पश्चात अखमीरी रोटी के पर्व के अंत तक पाँच दिन आते हैं, फिर तीस दिन बाद पुनः दोहराया जाता है, जब “नरसिंगों, आरोहण, और न्याय” का त्रि-चरणीय पथचिह्न प्रकट होता है, और उसके पश्चात पिन्तेकुस्त तक पाँच दिन आते हैं। आरंभिक त्रि-चरणीय पथचिह्न को एक ही पथचिह्न के रूप में, जिसमें तीन चरण हैं, सरलता से परिभाषित किया जा सकता है; क्योंकि मसीह के बपतिस्मे के साथ उसका सीधा-सीधा ऐसा ही परिचय दिया गया है, जो उसकी “मृत्यु, गाड़े जाने, और पुनरुत्थान” का प्रतीक है। बपतिस्मा उस पवित्र 1,260-दिवसीय अवधि का अल्फा था, जो उसकी “मृत्यु, गाड़े जाने, और पुनरुत्थान” पर आकर पूर्ण हुई, जो उन 1,260 दिनों का ओमेगा था।

The three-step waymark at the end of the Pentecostal season must be recognized through prophetic application. In the fifty days of the Pentecostal season the same structure is found at the beginning and the ending. Based upon the principle that Christ always illustrates the end with the beginning we can identify the feast of trumpets, followed by the ascension, followed by the day of Atonement, followed by five days as one ‘three-step waymark followed by five days.’

펜테코스탈 절기의 끝에 있는 세 단계의 이정표는 예언적 적용을 통하여 인식되어야 한다. 펜테코스탈 절기의 오십 일 가운데에는 동일한 구조가 시작과 끝에 모두 발견된다. 그리스도께서 항상 시작으로 끝을 예증하신다는 원칙에 기초하여, 우리는 나팔절이 있고, 그 뒤에 승천이 있으며, 그 뒤에 속죄일이 있고, 그 뒤에 오 일이 있는바, 곧 ‘세 단계의 이정표 뒤에 오 일’이라는 하나의 구조를 식별할 수 있다.

We also test the proposed three steps with the biblical guidelines of the characteristics of each of the three steps. Those three steps are represented repeatedly in God’s Word. They are the three angels; they are the courtyard, holy place and Most Holy Place; they are the work of the Holy Spirit in convicting of sin, righteousness and judgment. Identifying the feast of trumpets, the ascension and the day of Atonement as those three steps requires that each of the steps aligns with the established biblical testimony.

Nous éprouvons aussi les trois étapes proposées à la lumière des directives bibliques relatives aux caractéristiques propres à chacune d’elles. Ces trois étapes sont représentées à maintes reprises dans la Parole de Dieu. Ce sont les trois anges; ce sont le parvis, le lieu saint et le lieu très saint; ce sont l’œuvre du Saint-Esprit convainquant de péché, de justice et de jugement. Identifier la fête des trompettes, l’ascension et le jour des Expiations comme étant ces trois étapes exige que chacune de ces étapes soit en harmonie avec le témoignage biblique établi.

Trumpets are a warning message and it is associated with the first angel who cries out “fear God.” The ascension of Christ is a symbol of the glory of His Second Coming, for the second expression of the first angel is “give Him glory.” The day of Atonement is the symbol of judgment, and the third expression of the first angel is “the hour of His judgment is come.” There are several ways to identify that the prophetic characteristics of the three steps in the waymark at the end of the Pentecostal season represent the three steps of the everlasting gospel, where many are “purified, made white and tried.”

Les trompettes constituent un message d’avertissement, et elles sont associées au premier ange qui s’écrie : « craignez Dieu ». L’ascension du Christ est un symbole de la gloire de Sa seconde venue, car la seconde expression du premier ange est : « donnez-Lui gloire ». Le jour des expiations est le symbole du jugement, et la troisième expression du premier ange est : « l’heure de Son jugement est venue ». Il existe plusieurs manières d’identifier que les caractéristiques prophétiques des trois étapes du repère à la fin de la saison pentecostale représentent les trois étapes de l’Évangile éternel, où beaucoup sont « purifiés, blanchis et éprouvés ».

This being so, you then may see that in the first waymark of three steps the barley first fruit offering is given, and in the last waymark of the three steps the wheat first fruit offering is given. You then might see that the alpha three steps of the Pentecostal season identify unleavened bread, but the omega waymark of three steps identify leavened bread. You then could even see that in the three-step waymark in the beginning is where Christ was lifted up to draw all men, and in the ending three-step waymark the ensign of the one hundred and forty-four thousand is lifted up to draw the Gentiles.

Puisqu’il en est ainsi, vous pouvez donc voir que, dans le premier repère de trois étapes, l’offrande des prémices de l’orge est présentée, et que, dans le dernier repère des trois étapes, l’offrande des prémices du blé est présentée. Vous pourriez alors voir que les trois étapes alpha de la saison de la Pentecôte désignent le pain sans levain, mais que le repère oméga de trois étapes désigne le pain levé. Vous pourriez même voir que, dans le repère de trois étapes du commencement, c’est là que Christ fut élevé afin d’attirer tous les hommes, et que, dans le repère final de trois étapes, l’étendard des cent quarante-quatre mille est élevé afin d’attirer les Gentils.

The first and third angels are the same angel at the prophetic level, for the first is the beginning—and the third is the ending. The alpha first angel announces the opening of judgment and the omega last angel announces the close of judgment. The first angel’s message was empowered by the fulfillment of Islam on August 11, 1840, and the third angel was empowered by a fulfillment of Islam on 9/11. Sister White informs us that the mission of both the first and the third angel was to lighten the earth with its glory. Other witnesses are abundant, and they provide ample support for identifying the structure of the Pentecostal season as set forth in the fifty days from Christ’s resurrection unto Pentecost, with the first twenty-two verses of Leviticus twenty-three and the last twenty-two verses of Leviticus twenty-three. Between the two waymarks that are a waymark of three steps followed by five days is a thirty-day period that represents the second angel.

O farishta ya nnọọ mbụ na nke atọ bụ otu farishta ahụ n’ogo amụma, n’ihi na nke mbụ bụ mmalite—ma nke atọ bụ njedebe. Farishta mbụ nke alfa na-ekwupụta mmeghe nke ikpe, ma farishta ikpeazụ nke omega na-ekwupụta mmechi nke ikpe. E nyere ozi nke farishta mbụ ike site n’imezu nke Islam n’August 11, 1840, ma e nyere farishta nke atọ ike site n’imezu nke Islam na 9/11. Nwanyị White na-agwa anyị na ozi nke ma farishta mbụ ma nke atọ bụ ime ka ụwa mụọ ọkụ site n’ebube ya. Ndị akaebe ndị ọzọ dị ukwuu n’ọnụ ọgụgụ, ha na-enyekwa nkwado zuru ezu maka ịmata usoro nke oge Pentikọst dịka e gosipụtara ya n’ime ụbọchị iri ise site na mbilite n’ọnwụ Kraịst ruo Pentikọst, ya na amaokwu iri abụọ na abụọ mbụ nke Leviticus iri abụọ na atọ na amaokwu iri abụọ na abụọ ikpeazụ nke Leviticus iri abụọ na atọ. N’etiti waymark abụọ ahụ, nke bụ waymark nke nzọụkwụ atọ e sochiri ụbọchị ise, e nwere oge ụbọchị iri atọ nke na-anọchi anya farishta nke abụọ.

The first waymark of ‘three steps followed by five’ days is the first angel, the thirty days is the second angel and the second waymark of ‘three steps followed by five’ days is the third angel. These three steps cover the entire Pentecostal season up to Pentecost, which then marks the beginning of the seven days of the feast of Tabernacles that represents the outpouring of the latter rain during the Sunday law crisis beginning at the Sunday law in the United States and continuing until Michael stands up and human probation closes. The structure is divine, but it produces some serious considerations.

Gutanga kwa mbere kw'ikimenyetso c'inzira c'“iminsi itatu ikurikiwe n'itanu” ni umumarayika wa mbere, iminsi mirongo itatu ni umumarayika wa kabiri, kandi ikimenyetso ca kabiri c'inzira c'“iminsi itatu ikurikiwe n'itanu” ni umumarayika wa gatatu. Izi ntambwe zitatu zikubiyemwo igihe cose ca Pentekote gushika kuri Pentekote, ico na co kikaba ari co gitangura iminsi indwi y'umusi mukuru w'Insago, igereranya iseswa ry'imvura y'itumba ry'inyuma mu gihe c'ikibazo c'itegeko ryo ku wa Mbere gitangurira ku tegeko ryo ku wa Mbere muri Leta Zunze Ubumwe za Amerika kandi kigakomeza gushika Mikaheli ahagurutse maze igihe c'igeragezwa c'abantu kigafungwa. Imiterere ni iy'Imana, ariko ivamwo ivyiyumviro bikomeye cane.

Serious Considerations

Réflexions sérieuses

It is evident that the waymark represented by the ‘trumpets, ascension and judgment’ is the litmus and third test. The third test is always the litmus test, where character is manifested, but never developed.

Il est manifeste que le jalon représenté par les « trompettes, l’ascension et le jugement » constitue l’épreuve décisive et la troisième épreuve. La troisième épreuve est toujours l’épreuve décisive, où le caractère se manifeste, sans jamais s’y développer.

Character is revealed by a crisis. When the earnest voice proclaimed at midnight, ‘Behold, the bridegroom cometh; go ye out to meet him,’ the sleeping virgins roused from their slumbers, and it was seen who had made preparation for the event. Both parties were taken unawares, but one was prepared for the emergency, and the other was found without preparation. Character is revealed by circumstances. Emergencies bring out the true metal of character. Some sudden and unlooked-for calamity, bereavement, or crisis, some unexpected sickness or anguish, something that brings the soul face to face with death, will bring out the true inwardness of the character. It will be made manifest whether or not there is any real faith in the promises of the word of God. It will be made manifest whether or not the soul is sustained by grace, whether there is oil in the vessel with the lamp.

«អត្តចរិតត្រូវបានបើកសម្ដែងដោយវិបត្តិមួយ។ នៅពេលសំឡេងដ៏ទន្ទឹងទន្ទាញបានប្រកាសនៅពាក់កណ្ដាលអធ្រាត្រថា “មើល៍ កូនកំលោះមកហើយ; ចូរអ្នករាល់គ្នាចេញទៅទទួលលោកចុះ” ព្រហ្មចារីដែលកំពុងដេកលក់បានភ្ញាក់ពីដំណេករបស់ខ្លួនឡើង ហើយគេបានឃើញថា នរណាខ្លះបានរៀបចំខ្លួនសម្រាប់ព្រឹត្តិការណ៍នោះ។ ទាំងពីរក្រុមសុទ្ធតែត្រូវបានចាប់ឲ្យមិនទាន់ដឹងខ្លួន ប៉ុន្តែក្រុមមួយបានត្រៀមខ្លួនសម្រាប់គ្រាអាសន្ន ខណៈដែលក្រុមមួយទៀតត្រូវបានឃើញថាគ្មានការត្រៀមខ្លួនទេ។ អត្តចរិតត្រូវបានបើកសម្ដែងដោយកាលៈទេសៈ។ គ្រាអាសន្ននានាបង្ហាញឲ្យឃើញធាតុពិតនៃអត្តចរិត។ មហន្តរាយខ្លះដែលកើតឡើងភ្លាមៗ និងមិនបានរំពឹងទុក ការបាត់បង់មនុស្សជាទីស្រឡាញ់ ឬវិបត្តិណាមួយ ជំងឺឬទុក្ខវេទនាដែលកើតមកដោយមិននឹកស្មាន អ្វីមួយណាដែលនាំព្រលឹងឲ្យឈរមុខទល់នឹងសេចក្ដីស្លាប់ នឹងបង្ហាញឲ្យឃើញសភាពខាងក្នុងដ៏ពិតនៃអត្តចរិត។ នោះនឹងត្រូវបានបើកសម្ដែងថា តើមានសេចក្ដីជំនឿពិតណាមួយលើព្រះបន្ទូលសន្យានៃព្រះបន្ទូលរបស់ព្រះជាម្ចាស់ឬអត់។ នោះនឹងត្រូវបានបើកសម្ដែងថា តើព្រលឹងត្រូវបានទ្រទ្រង់ដោយព្រះគុណឬអត់ ហើយតើមានប្រេងនៅក្នុងភាជន៍ជាមួយនឹងចង្កៀងឬអត់។»

“Testing times come to all. How do we conduct ourselves under the test and proving of God? Do our lamps go out? or do we still keep them burning? Are we prepared for every emergency by our connection with Him who is full of grace and truth? The five wise virgins could not impart their character to the five foolish virgins. Character must be formed by us as individuals.” Review and Herald, October 17, 1895.

«Ցանկացածի կյանքում գալիս են փորձության ժամանակներ։ Ինչպե՞ս ենք վարվում Աստծո փորձության և քննության ներքո։ Արդյո՞ք մեր ճրագները մարում են, թե՞ մենք դեռ պահում ենք դրանք վառված։ Պատրա՞ստ ենք յուրաքանչյուր արտակարգ իրավիճակի՝ շնորհով և ճշմարտությամբ լի Նրա հետ մեր կապի միջոցով։ Հինգ իմաստուն կույսերը չէին կարող իրենց բնավորությունը հաղորդել հինգ անմիտ կույսերին։ Բնավորությունը պետք է կազմավորվի մեր կողմից՝ որպես առանձին անհատներ»։ Review and Herald, October 17, 1895.

When the feast of trumpets waymark arrives, your character is forever sealed, you are lifted up as an ensign and your sins are forever blotted out. The three steps represent three aspects of the sealing. The arrival of the message of the Midnight Cry manifests those who have oil and who are lifted up as an ensign as their sins are removed. The message, the work and the seal are all one waymark. It is a waymark “that brings the soul face to face with death” because of an “unlooked for calamity.” The trumpet of Islam represents that “unlooked for calamity.” At that point the message, “Behold the Bridegroom cometh,” is proclaimed five days in advance of the Sunday law, where the message changes unto the loud cry of the third angel.

যখন তূর্যধ্বনির পর্বের পথচিহ্ন এসে উপস্থিত হয়, তখন তোমার চরিত্র চিরদিনের জন্য সীলমোহরপ্রাপ্ত হয়, তোমাকে এক পতাকাচিহ্নরূপে উচ্চে উত্তোলন করা হয়, এবং তোমার পাপসমূহ চিরদিনের জন্য মুছে ফেলা হয়। এই তিনটি ধাপ সীলমোহরের তিনটি দিককে নির্দেশ করে। মধ্যরাত্রির আহ্বানের বার্তার আবির্ভাব তাদের প্রকাশ করে, যাদের কাছে তেল আছে এবং যারা পতাকাচিহ্নরূপে উচ্চে উত্তোলিত হয়, যখন তাদের পাপসমূহ অপসারিত হয়। বার্তা, কার্য, এবং সীল—এসবই একই পথচিহ্ন। এটি এমন এক পথচিহ্ন “যা আত্মাকে মৃত্যুর সম্মুখে মুখোমুখি দাঁড় করায়,” কারণ সেখানে একটি “অপ্রত্যাশিত বিপর্যয়” থাকে। ইসলামের তূর্য সেই “অপ্রত্যাশিত বিপর্যয়”-এর প্রতিনিধিত্ব করে। সেই সময়ে, “দেখ, বর আসিতেছেন,”—এই বার্তাটি রবিবার-আইনের পাঁচ দিন পূর্বে ঘোষণা করা হয়, যেখানে এই বার্তাটি পরিবর্তিত হয়ে তৃতীয় দূতের উচ্চধ্বনির আহ্বানে পরিণত হয়।

The three steps of the waymark are identifying elements of the sealing of and the lifting up of the one hundred and forty-four thousand, just before the Sunday law. It is clear that the litmus test of ‘trumpets, ascension and judgment’ has been represented by the Exeter camp meeting. The five days between the day of Atonement and Pentecost, represents the sixty-six days between the end of the Exeter camp meeting on August 17 unto October 22, 1844, when the door closed. Those sixty-six days of Millerite history are illustrating the latter days, and in this regard, they are illustrating the proclamation of the message of the Midnight Cry by the one hundred and forty-four thousand.

E sika song pɛ a ɛwɔ waymark no yɛ nneɛma a ɛda asɔretwa no ne mmarima apem ɔha aduanan anan no so ma wonim wɔn, ne wɔn so a wɔma wɔn so kɔ soro, ansa na Sunday mmara no aba. Ɛda adi pefee sɛ sɔhwɛ kyerɛwdua a ɛne “ntorobɛnto, foro kɔ soro, ne atemmu” no, gyinaa Exeter camp meeting no ananmu. Nnaanum a ɛda Mpata Da no ne Pentecost ntam no gyina hɔ ma nna aduosia nsia a ɛda Exeter camp meeting no awiei wɔ August 17 ne October 22, 1844 ntam, bere a wɔtoo pon no mu no. Saa nna aduosia nsia no wɔ Millerite abakɔsɛm mu no, kyerɛ nna a edi akyiri no, na saa kwan yi so no, ɛreyɛ mfonini ama Midnight Cry nkrasɛm no ho dawuru a mmarima apem ɔha aduanan anan no bɔe no.

The five days to Pentecost, aligns with the sixty-six days of the Millerites proclaiming the message of the Midnight Cry, which was also typified by Christ’s triumphal entry into Jerusalem. The first of the three steps is the feast of trumpets, which is the seventh trumpet, or third woe, or Islam in the latter days, and Christ’s triumphal entry was preceded by the loosing of an ass.

Ang limang araw hanggang Pentecostes ay umaayon sa animnapu’t anim na araw ng mga Millerita sa pagpapahayag ng mensahe ng Sigaw sa Hatinggabi, na isinagisag din ng matagumpay na pagpasok ni Cristo sa Jerusalem. Ang una sa tatlong hakbang ay ang kapistahan ng mga trumpeta, na siyang ikapitong trumpeta, o ikatlong kahabag-habag, o Islam sa mga huling araw, at ang matagumpay na pagpasok ni Cristo ay sinundan ng pagpapakawala sa isang asno.

Prophetically this identifies that the loosing of the ass marks the beginning of the triumphal entry, which is the Midnight Cry. Bible prophecy is to be applied in the latter days to the sixth kingdom of Bible prophecy—the earth beast, the United States. Islam will strike the United States, as it did at 9/11, thus marking the beginning of the proclamation of the Midnight Cry with a significant strike upon the United States by Islam, and the ending of the proclamation of the Midnight Cry with another significant strike upon the United States by Islam, for Jesus always illustrates the end of a thing with the beginning of a thing.

Mwa uneneri, lokhu kubonisa ukuthi ukukhululwa kwembongolo kuphawula ukuqala kokungena kokunqoba, okuyisikhalo saphakathi kobusuku. Isiprofetho seBhayibheli kufanele sisetshenziswe ezinsukwini zokugcina embusweni wesithupha wesiprofetho seBhayibheli—isilwane somhlaba, i-United States. UbuSulumane buyoshaya i-United States, njengoba benza ngo-9/11, ngaleyo ndlela buphawule ukuqala kokumenyezelwa kweSikhalo Saphakathi Kobusuku ngokushaya okukhulu i-United States ngobuSulumane, kanye nokuphela kokumenyezelwa kweSikhalo Saphakathi Kobusuku ngokunye ukushaya okukhulu i-United States ngobuSulumane, ngoba uJesu uhlale efanekisa ukuphela kwento ngesiqalo sento.

The message of Pentecost is the message of the loud cry, and the loud cry is simply an escalation of the message of the Midnight Cry. In Millerite history the Midnight Cry ended when the door was closed on October 22, 1844, and it ends when the door closes at the Sunday law in the latter days. At Pentecost Peter proclaimed the message of Joel, and Pentecost is the omega ending of the Midnight Cry, so the alpha beginning of the Midnight Cry Peter must of prophetic necessity also be presenting the message of Joel. At the Midnight Cry Peter is in Acts chapter two, in the upper room at the third hour, and then on the same day at the ninth hour he is in the temple proclaiming Joel’s message.

Pentikọsti mannaarineq tassaavoq nipituumik suaartarnermik mannaarineq, aammalu nipituumik suaartarneq tassaaginnarluni Unnuap Qiterpasissuani Suaartarnerup mannaarineqarnerata annertusineqarnera. Millerikkut oqaluttuarisaaneranni Unnuap Qiterpasissuani Suaartarneq naavoq ulloq 22. oktobari 1844 matu matuneqarmat, aammalu ulluni kingullerni sapaatip ulluani inatsisip nalaani matu matuneqalerpat aamma naassaaq. Pentikọstimi Petrusi Joelip mannaarineqartoq nalunaarutigaa, aammalu Pentikọsti tassaavoq Unnuap Qiterpasissuani Suaartarnerup omega-mik naanerata inernera, taamaattumillu Unnuap Qiterpasissuani Suaartarnerup alpha-mik aallartinnerani Petrusip pruffiitikkut pisariaqavissumik aamma Joelip mannaarineqartoq saqqummiuttussaavaa. Unnuap Qiterpasissuani Suaartarnerup nalaani Petrusiippoq Apustilit Suliaat immikkoortortaq marluk-mi, qullerpaamik ini-mi nal. pingasut, taamatullu ulloq taanna nal. qulinganni naalaffimmiippoq Joelip mannaarineqartoq nalunaarutigalugu.

Peter is the symbol of the one hundred and forty-four thousand at Pentecost, which is the end of the Midnight Cry, and he is the symbol of the one hundred and forty-four thousand at the beginning of the Midnight Cry. The sealing and raising up of the one hundred and forty-four thousand begins with the loosing of the ass as Islam strikes. When the Millerites left the Exeter camp meeting they carried the message like a tidal wave, and symbolically typified the one hundred and forty-four thousand who repeat that experience.

Pierre est le symbole des cent quarante-quatre mille à la Pentecôte, laquelle marque la fin du Cri de Minuit, et il est le symbole des cent quarante-quatre mille au commencement du Cri de Minuit. Le scellement et le relèvement des cent quarante-quatre mille commencent avec le déliement de l’ânon lorsque l’islam frappe. Lorsque les millérites quittèrent la réunion de camp d’Exeter, ils portèrent le message comme un raz-de-marée, et, symboliquement, ils préfigurèrent les cent quarante-quatre mille qui répètent cette expérience.

This application becomes more serious when you recognize that Peter is representing those who proclaim the Midnight Cry message at the litmus and third test of the Pentecostal season. The third hour for Peter at Pentecost places him in the upper room, and the upper room is also the ten days before Pentecost. The second test of the Pentecostal season is the thirty-day temple test that follows the foundational test. The second test of the temple requires the faithful to enter by faith into the Most Holy Place where their sins are blotted out and where they are seated by faith with Christ in heavenly places. The book of Acts informs us that Peter began his sermon on the book of Joel at the third hour in the upper room, then at the ninth hour he was in the temple.

Cette application devient plus solennelle lorsque l’on reconnaît que Pierre représente ceux qui proclament le message du Cri de Minuit au test décisif et au troisième test de la saison pentecostale. La troisième heure, pour Pierre à la Pentecôte, le situe dans la chambre haute, et la chambre haute correspond aussi aux dix jours qui précèdent la Pentecôte. Le deuxième test de la saison pentecostale est l’épreuve de trente jours dans le temple qui suit l’épreuve fondamentale. Le deuxième test du temple exige que les fidèles entrent par la foi dans le lieu très saint, où leurs péchés sont effacés et où ils sont assis par la foi avec Christ dans les lieux célestes. Le livre des Actes nous apprend que Pierre commença son sermon sur le livre de Joël à la troisième heure dans la chambre haute, puis qu’à la neuvième heure il se trouvait dans le temple.

But Peter, standing up with the eleven, lifted up his voice, and said unto them, Ye men of Judaea, and all ye that dwell at Jerusalem, be this known unto you, and hearken to my words: For these are not drunken, as ye suppose, seeing it is but the third hour of the day. But this is that which was spoken by the prophet Joel. … Now Peter and John went up together into the temple at the hour of prayer, being the ninth hour. Acts 2:14–16; 3:1.

Ma Pita, isagoo la istaagay kow iyo tobanka, codkiisii kor u qaaday oo ku yidhi iyaga, Nimanka Yahuudiya jooga iyo kulligiin deggan Yeruusaalem, tan ha idiin caddaato, oo hadalladayda dhegaysta; waayo, kuwanu ma sakhraansana sida aad malaynaysaan, maxaa yeelay waa saacaddii saddexaad oo keliya ee maalinta. Laakiin kanu waa wixii uu kaga hadlay nebi Yoo’eel. … Haddaba Pita iyo Yooxanaa waxay wada kor ugu socdeen macbudka saacaddii salaadda, taas oo ahayd saacaddii sagaalaad. Falimaha Rasuullada 2:14–16; 3:1.

Christ was nailed to the cross at the third hour and He died at the ninth hour. His death, burial and resurrection are one waymark with three steps. The third step, the day of first fruits, begins the fifty days which conclude at Pentecost. In the alpha of the Pentecostal season the third and ninth hour represent a distinct contrast, for Christ was alive at the third hour and dead at the ninth. Peter was in the upper room at the third hour and in the temple at the ninth.

Christ a été cloué à la croix à la troisième heure, et Il mourut à la neuvième heure. Sa mort, son ensevelissement et sa résurrection constituent un seul repère comportant trois étapes. La troisième étape, le jour des prémices, inaugure les cinquante jours qui s’achèvent à la Pentecôte. Dans l’alpha de la période pentecostale, la troisième et la neuvième heure représentent un contraste distinct, car Christ était vivant à la troisième heure et mort à la neuvième. Pierre était dans la chambre haute à la troisième heure et dans le temple à la neuvième.

The Pentecostal season of fifty sacred days in the time of Christ was a sacred prophetic period directly connected to the prophecy of twenty-three hundred years. It was especially connected with the final week of the four hundred and ninety years for the Jewish nation in Daniel nine. That sacred week when Christ confirmed the covenant was divided into two equal periods of 1,260 prophetic days. The heart of that week was the cross. The cross identifies the third and ninth hour, and Peter at Pentecost does the same. In the year 34, the end of that same sacred week when Cornelius sent for Peter from Caesarea Maritima, it was the ninth hour.

In de tijd van Christus was de pinkstertijd van vijftig heilige dagen een heilige profetische periode die rechtstreeks verbonden was met de profetie van tweeëntwintighonderd jaar. Zij was in het bijzonder verbonden met de laatste week van de vierhonderdnegentig jaar voor het Joodse volk in Daniël 9. Die heilige week, waarin Christus het verbond bevestigde, was verdeeld in twee gelijke perioden van 1.260 profetische dagen. Het middelpunt van die week was het kruis. Het kruis markeert het derde en het negende uur, en Petrus doet op Pinksteren hetzelfde. In het jaar 34, aan het einde van diezelfde heilige week, toen Cornelius vanuit Caesarea Maritima om Petrus zond, was het het negende uur.

There was a certain man in Caesarea called Cornelius, a centurion of the band called the Italian band, A devout man, and one that feared God with all his house, which gave much alms to the people, and prayed to God alway. He saw in a vision evidently about the ninth hour of the day an angel of God coming in to him, and saying unto him, Cornelius. And when he looked on him, he was afraid, and said, What is it, Lord? And he said unto him, Thy prayers and thine alms are come up for a memorial before God. And now send men to Joppa, and call for one Simon, whose surname is Peter. Acts 10:1–5.

Kulikuwa na mtu mmoja katika Kaisaria, jina lake Kornelio, akida wa kikosi kilichoitwa Kikosi cha Kiitalia, mtu mcha Mungu na mwenye kumcha Mungu pamoja na nyumba yake yote, aliyetoa sadaka nyingi kwa watu, na kumwomba Mungu sikuzote. Aliona katika maono waziwazi, yapata saa ya tisa ya mchana, malaika wa Mungu akiingia kwake na kumwambia, Kornelio. Naye alipomtazama, akaingiwa na hofu, akasema, Ni nini, Bwana? Akamwambia, Sala zako na sadaka zako zimepanda kuwa ukumbusho mbele za Mungu. Na sasa tuma watu waende Yopa, ukamwite mtu mmoja Simoni, aitwaye pia Petro. Matendo 10:1–5.

The next day, Peter goes up on the roof to pray about the sixth hour.

Le lendemain, Pierre monta sur le toit pour prier vers la sixième heure.

On the morrow, as they went on their journey, and drew nigh unto the city, Peter went up upon the housetop to pray about the sixth hour: And he became very hungry, and would have eaten: but while they made ready, he fell into a trance, And saw heaven opened, and a certain vessel descending unto him, as it had been a great sheet knit at the four corners, and let down to the earth: Wherein were all manner of four footed beasts of the earth, and wild beasts, and creeping things, and fowls of the air. And there came a voice to him, Rise, Peter; kill, and eat. But Peter said, Not so, Lord; for I have never eaten anything that is common or unclean. And the voice spake unto him again the second time, What God hath cleansed, that call not thou common. This was done thrice: and the vessel was received up again into heaven. Acts 10:9–16.

Ngày hôm sau, khi họ đang đi đường và đến gần thành, Phi-e-rơ lên sân thượng cầu nguyện vào khoảng giờ thứ sáu. Người đói lắm và muốn ăn; nhưng trong khi người ta đang dọn sẵn, thì người ngây ngất, và thấy trời mở ra, cùng một vật nào đó từ trên xuống đến với mình, như một tấm khăn lớn buộc nơi bốn góc, thả xuống đất. Trong đó có đủ mọi loài thú bốn chân trên đất, thú rừng, loài bò sát và chim trời. Bấy giờ có tiếng phán cùng người rằng: Phi-e-rơ, hãy chỗi dậy, giết và ăn. Nhưng Phi-e-rơ thưa rằng: Lạy Chúa, không được đâu; vì tôi chưa hề ăn vật gì tục hay ô uế. Tiếng ấy lại phán cùng người lần thứ hai rằng: Sự gì Đức Chúa Trời đã làm cho thanh sạch, thì ngươi chớ gọi là tục. Việc đó xảy ra đến ba lần; rồi vật ấy lại được cất lên trời. Công-vụ 10:9–16.

The call for Peter to come to Caesarea is at the ninth hour, when an angel arrives to address Cornelius. Cornelius represents God’s other children who are called out of Babylon at the Sunday law. The angel who arrives at the Sunday law is the second voice of Revelation eighteen, who calls to those still in Babylon to flee. Peter is the one hundred and forty-four thousand and Cornelius is the eleventh-hour workers, who are represented to Peter as unclean animals. The relation of Peter and Cornelius is the relation of Revelation seven, where the one hundred and forty-four thousand are identified in association with the great multitude. Peter was commanded three times to rise, kill and eat. As the one hundred and forty-four thousand the call from Cornelius is where the ensign is commanded to rise.

ٹھیک ہے.

Cornelius is in Caesarea Maritima, sometimes called Caesarea by the sea. Revelation seventeen informs us that “the waters” “are peoples, and multitudes, and nations, and tongues.” The waters are those outside of God’s church and in Revelation as well as with Peter’s vision of the unclean beasts, the number four represents the entire world. Four various beasts are in Peter’s vision, and they descend in a sheet which is held at its four corners. The relation of Peter to Cornelius is also represented by Noah and the beasts that got on the ark.

Kornelio yuko katika Kaisaria Maritima, ambayo wakati mwingine huitwa Kaisaria ya baharini. Ufunuo kumi na saba hutuarifu kwamba “maji” “ni watu, na makutano, na mataifa, na lugha.” Maji hayo ni wale walio nje ya kanisa la Mungu, na katika Ufunuo vilevile katika ono la Petro la wanyama walio najisi, namba nne huwakilisha ulimwengu wote. Wanyama wa namna nne mbalimbali wako katika ono la Petro, nao hushuka ndani ya shuka linaloshikiliwa katika pembe zake nne. Uhusiano wa Petro na Kornelio pia unawakilishwa na Nuhu na wanyama walioingia katika safina.

Peter was in Joppa, which means “bright and beautiful,” for as a symbol of the one hundred and forty-four thousand Peter is the bright and beautiful ensign to the Gentiles. The ninth hour, the Gentiles awaken to the ensign which Sister White identifies as the Sabbath, the law of God, the third angel’s message and the missionaries around the world that carry the message of the latter days. Cornelius was awakened to the ensign when the angel arrived at the ninth hour in Caesarea by the sea. The message at the Pentecostal Sunday law then goes to the world—the sea.

Petro alikuwa katika Yafa, ambalo maana yake ni “angavu na zuri,” kwa maana, kama ishara ya wale mia moja arobaini na nne elfu, Petro ndiye bendera angavu na nzuri kwa Mataifa. Saa ya tisa, Mataifa huamshwa kwa bendera hiyo ambayo Sister White huitambulisha kuwa ni Sabato, sheria ya Mungu, ujumbe wa malaika wa tatu, na wamisionari ulimwenguni kote wanaoubeba ujumbe wa siku za mwisho. Kornelio aliamshwa kwa bendera hiyo malaika alipofika saa ya tisa huko Kaisaria kando ya bahari. Ujumbe katika sheria ya Jumapili ya Kipentekoste ndipo huenda kwa ulimwengu—bahari.

The lifting up of the ensign is also represented as the Lord’s house being lifted up above the mountains, and Peter was praying on the rooftop of the beautiful bright city of Joppa, in the sixth hour, just before the Sunday law of the ninth hour. When the one hundred and forty-four thousand are sealed, the circumstances of the crisis within the world will draw God’s other children who are still in Babylon to seek for light. They are led to find Peter on the top of the house in Joppa.

Kebangkitan panji itu juga digambarkan sebagai rumah Tuhan yang ditinggikan di atas gunung-gunung, dan Petrus sedang berdoa di atas sotoh kota Yope yang indah dan terang, pada jam keenam, tepat sebelum undang-undang hari Minggu pada jam kesembilan. Apabila seratus empat puluh empat ribu dimeteraikan, keadaan krisis di dalam dunia akan mendorong anak-anak Allah yang lain, yang masih berada di Babel, untuk mencari terang. Mereka dipimpin untuk menemukan Petrus di atas rumah itu di Yope.

Peter was also in Caesarea Philippi in Matthew sixteen. Caesarea Philippi at the base of Mount Hermon had the same name as Caesarea by the sea, but it had a distinct contrast as one city was upon the land and the other on the sea. Christ’s crucifixion at the third hour and His death at the ninth, identify a distinct contrast of life and death. Peter at Pentecost’s third and ninth hour identifies a distinct contrast from the upper room unto the temple. Caesarea on the land or Caesarea on the sea represents the necessary prophetic contrast of the third and ninth hour, but there is no direct reference to the third hour when Peter was in Caesarea Philippi. Upon the testimony of two or three a thing is established and with the third and ninth hour of the cross and also on the day of Pentecost both illustrations are represented by a single person, whether Christ alive or in the tomb, or Peter in the upper room or the temple.

Petro alikuwa pia katika Kaisaria Filipi katika Mathayo kumi na sita. Kaisaria Filipi, chini ya Mlima Hermoni, lilikuwa na jina lilelile kama Kaisaria ya pwani, lakini lilikuwa na tofauti iliyo wazi, kwa kuwa mji mmoja ulikuwa juu ya nchi na mwingine juu ya bahari. Kusulubiwa kwa Kristo saa ya tatu na kufa Kwake saa ya tisa kunatambulisha tofauti iliyo bayana ya uzima na mauti. Petro katika Pentekoste, saa ya tatu na ya tisa, kunatambulisha tofauti iliyo dhahiri kutoka chumba cha juu hata hekaluni. Kaisaria ya nchi kavu au Kaisaria ya baharini huwakilisha tofauti ya lazima ya kinabii ya saa ya tatu na ya tisa, lakini hakuna rejea ya moja kwa moja kwa saa ya tatu wakati Petro alipokuwa katika Kaisaria Filipi. Kwa ushuhuda wa wawili au watatu jambo huthibitishwa, na kwa saa ya tatu na ya tisa ya msalaba, na pia katika siku ya Pentekoste, vielelezo vyote viwili vinawakilishwa na mtu mmoja, awe Kristo akiwa hai au kaburini, au Petro katika chumba cha juu au hekaluni.

The third testimony of a third and ninth hour at the two Caesarea’s identifies Peter as the primary character in both instances, as was Christ in the beginning of the Pentecostal season and Peter at the end of that same season. The alpha character of the third hour is the same as the omega character of the ninth hour, providing one witness that Caesarea Philippi is the alpha of the two Caesarea’s. The second witness is that the name of both cities is the same, so the name of the main character and the name of the city are the same. A third witness is the contrast of land and sea. When Peter was at Caesarea Philippi, it was the third hour. This is where the message becomes even more serious.

Le troisième témoignage d’une troisième et d’une neuvième heure, dans les deux Césarées, identifie Pierre comme le personnage principal dans les deux cas, de même que le Christ l’était au commencement de la saison de la Pentecôte et Pierre à la fin de cette même saison. Le caractère alpha de la troisième heure est le même que le caractère oméga de la neuvième heure, fournissant un premier témoignage que Césarée de Philippe est l’alpha des deux Césarées. Le second témoignage est que le nom des deux villes est le même, de sorte que le nom du personnage principal et le nom de la ville sont identiques. Un troisième témoignage est le contraste entre la terre et la mer. Lorsque Pierre était à Césarée de Philippe, c’était la troisième heure. C’est ici que le message devient encore plus grave.

It is correct to align two cities with the same name, which is what we are doing, but we are also incorporating the third and ninth hour into the application based upon the witness of Christ at the cross and Peter at Pentecost. By bringing the three lines together; Christ’s third and ninth hour, Peter at Pentecost’s third and ninth hour—we establish the third hour at Caesarea Philippi. The very same prophetic logic is to be applied to Cornelius at the ninth hour, Peter at the sixth hour and then Peter at Caesarea Philippi at the third hour.

Mae’n gywir cydweddu dwy ddinas o’r un enw, a dyna yr ydym yn ei wneud; ond yr ydym hefyd yn ymgorffori’r drydedd a’r nawfed awr yn y cymhwysiad, ar sail tystiolaeth Crist ar y groes a Phedr ar y Pentecost. Drwy ddwyn y tair llinell ynghyd—trydedd a nawfed awr Crist, trydedd a nawfed awr Pedr ar y Pentecost—yr ydym yn sefydlu’r drydedd awr yng Nghaesarea Philipi. Y mae’r union un rhesymeg broffwydol i’w chymhwyso i Cornelius ar y nawfed awr, Pedr ar y chweched awr, ac yna Pedr yng Nghaesarea Philipi ar y drydedd awr.

Peter is at all three waymarks, Cornelius is at the sixth and ninth hour with Peter, but not at the third in Caesarea Philippi. The line is tied together for each step is either the third, sixth and ninth hour respectively from Caesarea Philippi, to Joppa to Caesarea Maritima. Both Caesarea’s had their cultural roots attached to both Greece and Rome, but Caesarea Philippi’s distinction was the embodiment of remote, mystical paganism, and Caesarea by the sea was a commercial and administrative hub, blending Greek culture with Roman governance. Caesarea Philippi was a symbol of churchcraft and Caesarea Maritima of statecraft.

Pierre ezali na bilembo nyonso misato ya nzela; Korneyo azali elongo na Pierre na ngonga ya motoba mpe ya libwa, kasi na ya misato te, na Sezarea Filipi. Molɔngɔ yango esangisami, mpo ete litambe mokomoko ezali, na kolandana, ngonga ya misato, ya motoba, mpe ya libwa, longwa na Sezarea Filipi kino na Jopa mpe kino na Sezarea Maritima. Ba-Sezarea nyonso mibale ezalaki na misisa na yango ya bonkoko ekangami na Grɛsi mpe na Roma, kasi bokeseni ya Sezarea Filipi ezalaki komonisama lokola nzoto ya bonganga-nzambe ya bapakano ya mosika mpe ya mabombami; mpe Sezarea ya pembeni ya mbu ezalaki esika ya mombongo mpe ya bokambi, oyo ezalaki kosangisa bonkoko ya Grɛsi na boyangeli ya Roma. Sezarea Filipi ezalaki elembo ya bokonzi ya lingomba, mpe Sezarea Maritima ya bokonzi ya Leta.

In the line of Caesarea to Caesarea, Joppa is the middle step of three steps. The three steps are represented by the third, sixth and ninth hours. Caesarea by the sea at the ninth hour is the Sunday law when the gospel goes to the Gentiles. Three hours before, at the sixth hour Peter is in Joppa, the bright and shining city. Three hours before that Peter is at the feast of Trumpets in the third hour. Caesarea to Caesarea is the period of the Midnight Cry. Peter represents those who proclaim the Midnight Cry at the beginning all the way to the ending, for Jesus always aligns the beginning with the ending. The Midnight Cry begins with the ass being loosed at the feast of trumpets waymark, where Peter is proclaiming the message of Joel.

Dans la ligne de Césarée à Césarée, Joppé constitue l’étape intermédiaire de trois étapes. Les trois étapes sont représentées par les troisième, sixième et neuvième heures. Césarée au bord de la mer, à la neuvième heure, est la loi du dimanche lorsque l’Évangile va aux Gentils. Trois heures auparavant, à la sixième heure, Pierre est à Joppé, la ville brillante et resplendissante. Trois heures avant cela, Pierre est à la fête des Trompettes, à la troisième heure. Césarée à Césarée est la période du Cri de Minuit. Pierre représente ceux qui proclament le Cri de Minuit depuis le commencement jusqu’à la fin, car Jésus aligne toujours le commencement sur la fin. Le Cri de Minuit commence lorsque l’ânesse est détachée au repère de la fête des Trompettes, où Pierre proclame le message de Joël.

Peter is at the three-step waymark of the feast of trumpets, the ascension, followed by judgment. At that waymark in Matthew sixteen the issue is raised about who Christ was. Peter’s name is changed and it is stated by Christ that it would be upon this Rock that He builds His church. The Rock which the temple is built upon is the foundation, and Peter at Caesarea Philippi is the first angel’s message, which is the foundational message. When Peter gets to the next step, at Joppa, he ascends as did Christ at the end of the forty days of face-to-face teaching. The ascension is also a parallel to the cross, the primary ensign of salvational history; and the cross is divided into two parts, with the two thieves, the tearing of the veil into the Most Holy Place and the darkness and the hours.

पीतर नरसिंगों के पर्व के उस त्रि-चरणीय वेमार्क पर है: आरोहण, और उसके पश्चात न्याय। मत्ती सोलह में उसी वेमार्क पर यह प्रश्न उठाया जाता है कि मसीह कौन था। पीतर का नाम परिवर्तित किया जाता है, और मसीह के द्वारा यह कहा जाता है कि इसी शिला पर वह अपनी कलीसिया का निर्माण करेगा। जिस शिला पर मन्दिर निर्मित होता है, वही नींव है; और कैसरिया फिलिप्पी में पीतर प्रथम स्वर्गदूत का सन्देश है, जो आधारभूत सन्देश है। जब पीतर अगले चरण पर, अर्थात योप्पा में, पहुँचता है, तब वह वैसे ही ऊपर उठता है जैसे मसीह ने आमने-सामने की चालीस दिनों की शिक्षा के अन्त में आरोहण किया था। यह आरोहण क्रूस का भी एक समांतर है, जो उद्धार के इतिहास का प्रधान ध्वज-चिह्न है; और क्रूस दो भागों में विभाजित है—दो चोरों के साथ, परदे का परमपवित्र स्थान तक फट जाना, और अन्धकार तथा घंटे।

Now from the sixth hour there was darkness over all the land unto the ninth hour. And about the ninth hour Jesus cried with a loud voice, saying, Eli, Eli, lama sabachthani? that is to say, My God, my God, why hast thou forsaken me? Matthew 27:45, 46.

Maintenant, depuis la sixième heure, il y eut des ténèbres sur tout le pays jusqu’à la neuvième heure. Et vers la neuvième heure, Jésus s’écria d’une voix forte, disant : Eli, Eli, lama sabachthani ? c’est-à-dire : Mon Dieu, mon Dieu, pourquoi m’as-tu abandonné ? Matthieu 27:45, 46.

At Joppa, at the sixth hour Peter is at a prophetic point of division, between the lost and saved, between light and darkness and between the beginning of and ending of the Midnight Cry. That break is emphasizing the transition of the Laodicean movement of the one hundred and forty-four thousand unto the Philadelphian movement of the one hundred and forty-four thousand. It is marking the full rejection of the Laodicean Seventh-day Adventist church. That closed door of judgment represented by the day of Atonement comes five days before the Pentecostal Sunday law. That judgment is preceded by the ascension, and before that, the trumpet message. Those three steps represent the waymark where the seal of God is impressed, and the message of the Midnight Cry is proclaimed by the church triumphant to those represented by Cornelius.

Ġo Ġoppa, fis-sitt siegħa, Pietru jinsab f’punt profetiku ta’ qasma, bejn il-mitlufin u s-salvati, bejn id-dawl u d-dlam, u bejn il-bidu u t-tmiem tal-Għajta ta’ Nofsillejl. Dik il-qasma qed tenfasizza t-tranżizzjoni tal-moviment Laodiċejan tal-mija u erbgħa u erbgħin elf lejn il-moviment Filadelfjan tal-mija u erbgħa u erbgħin elf. Hija qed timmarka ċ-ċaħda sħiħa tal-knisja Laodiċejana tal-Avventisti tas-Seba’ Jum. Dak il-bieb magħluq tal-ġudizzju rrappreżentat mill-Jum tal-Patrijazzjoni jiġi ħamest ijiem qabel il-liġi tal-Ħadd Pentekostali. Dak il-ġudizzju jiġi qabel minnu t-tlugħ, u qabel dan, il-messaġġ tat-tromba. Dawk it-tliet passi jirrappreżentaw il-waymark fejn is-siġill ta’ Alla jiġi mnaqqax, u l-messaġġ tal-Għajta ta’ Nofsillejl jiġi mxandar mill-knisja trijonfanti lil dawk irrappreżentati minn Kornelju.

Peter proclaims the message at Pentecost, and Pentecost marks the end of the message of the Midnight Cry. It is of prophetic necessity therefore that Peter also proclaims the message at the beginning of the period of the Midnight Cry. The beginning always illustrates the end. Peter’s Midnight Cry message is empowered when the ass of Islam is loosed, and attacks the United States, as it does again at the Sunday law. Peter proclaiming the message at the third and ninth hour of Pentecost identifies the beginning and ending of the Midnight Cry.

Peter azali kosakola nsango na Pantekote, mpe Pantekote ezali komonisa suka ya nsango ya Eleli ya Na Bongo ya Butu. Yango wana, na bosenga ya esakweli, esengeli mpe ete Peter asakola nsango yango na ebandeli ya eleko ya Eleli ya Na Bongo ya Butu. Ebandeli ntango nyonso emonisaka suka. Nsango ya Eleli ya Na Bongo ya Butu ya Peter epesami nguya ntango mpunda ya mobali ya Islam efungolami, mpe etei Etazini, ndenge ekosala lisusu na mobeko ya Lomingo. Peter kosakola nsango na ngonga ya misato mpe ya libwa ya Pantekote ezali koyebisa ebandeli mpe suka ya Eleli ya Na Bongo ya Butu.

In the line we are considering, the forty days that ends at Christ’s ascension, also begins the ten days in the upper room. Five days into the ten days, the day of atonement identifies that the sins of Israel have been blotted out and the church has made herself ready. It was in the third hour that Peter was in the upper room at Pentecost. At the ninth hour of the Sunday law, the message changes from the midnight unto the loud cry.

A cikin layin da muke la’akari da shi, kwanaki arba’in da suka ƙare da hawan Almasihu zuwa sama su ma suna fara kwanaki goma a ɗakin sama. Kwanaki biyar cikin kwanaki goman, Ranar Kafara tana nuna cewa an shafe zunuban Isra’ila, kuma ikilisiya ta shirya kanta. A sa’a ta uku ne Bitrus yake a ɗakin sama a ranar Fentikos. A sa’a ta tara ta dokar Lahadi, saƙon yana sauyawa daga tsakar dare zuwa babban ihu.

The proclamation of the message of the Midnight Cry by Peter occurs when he is in the third hour. That message is marked by the feast of trumpets, when the ass is loosed, and by Caesarea Philippi, and Caesarea Philippi is also Panium. Panium is represented in verses thirteen through fifteen of Daniel eleven. Peter is identifying not only an Islamic strike upon the United States when the ass is loosed at the outset of the proclamation of the Midnight Cry, but Peter is simultaneously at the battle of Panium that leads to the Sunday law. The battle of Panium is a parallel event to the Islamic strike upon the United States.

घोषणा की पुकार के संदेश का पतरस द्वारा किया गया प्रचार तब होता है जब वह तीसरे घंटे में होता है। उस संदेश को तुरहियों के पर्व द्वारा चिह्नित किया गया है, जब गदहा खोला जाता है, और कैसरिया फिलिप्पी द्वारा भी; और कैसरिया फिलिप्पी ही पानियुम भी है। पानियुम का निरूपण दानिय्येल ग्यारह की तेरहवीं से पंद्रहवीं आयतों में किया गया है। पतरस न केवल संयुक्त राज्य अमेरिका पर इस्लामी आघात की पहचान कर रहा है, जब घोषणा की पुकार के संदेश के प्रचार के आरम्भ में गदहा खोला जाता है, बल्कि उसी समय पतरस पानियुम की उस लड़ाई में भी उपस्थित है जो रविवार के कानून तक ले जाती है। पानियुम की लड़ाई संयुक्त राज्य अमेरिका पर इस्लामी आघात के समांतर होने वाली घटना है।

We will continue these things in the next article.

Nous poursuivrons ces choses dans le prochain article.